El avatar gritando un gol en un estadio lleno de noche
Los prompts de cada plano

El gol que no marcó nadie.

Un estadio, una equipación, una luz. Y solo cámaras que existen en una retransmisión de verdad.

Las tres reglas del reel.

Y la que aprendí a base de repetir: Kling no sabe hacer patadas rápidas ni contacto entre jugadores. Así que el gol se cuenta con el instante de antes y el de después: el balón ya en la red, la celebración en solitario, la grada.

Las referencias van siempre en el mismo orden: 1) la hoja del personaje, 2) una foto de la camiseta que quieras, 3) la foto maestra del estadio. Donde pone «the home shirt from the SECOND reference», sale la camiseta que subas.

¿Aún no tienes tu avatar? Empieza por la guía →

LA BIBLIA

Un estadio, siempre el mismo.

Primero se genera el estadio vacío y sin nadie en el césped. Esa foto entra como tercera referencia en todos los planos: mismo césped, mismas luces, misma grada.

Foto maestra del estadio lleno de noche, sin jugadores
Imagen · foto maestra del estadio
Real broadcast photograph, vertical: a huge modern football stadium at night, completely PACKED with fans, dry evening, no rain, bright white LED floodlights on the roof ring, faint atmospheric haze, perfectly striped green pitch, white lines, LED advertising boards around the pitch showing only plain dark blue and claret colours (no readable text), steep stands in blaugrana colours. Shot from the touchline at human eye level with a 50mm lens looking across the pitch toward a goal. True-to-life scale, photorealistic, no people on the pitch, no text.
Storyboard en fotos del reel del gol
El storyboard completo, aprobado en fotos antes de animar.
El avatar haciendo una chilena en el áreaPlano 1

La chilena, desde la banda

Cámara de banda a ras de césped, 135mm. La portería a tamaño real para que él no parezca un gigante.

Imagen
Real sports broadcast photo from the pitch-side camera at ground level, 135mm lens. Inside the penalty area of the stadium from the THIRD reference (same stadium, same night lighting, dry, packed stands), the SAME young man from the FIRST reference (electric blue hair, thin round gold glasses, small gold earring) performs a bicycle kick at true human height (about 1.5 m above the grass), body horizontal, his boot touching the ball, face visible in profile with glasses. Two defenders in plain white kits nearby, life-size. He wears exactly the home kit from the SECOND reference, navy shorts and socks, black boots. The goal behind is REAL SIZE (7.32 m wide, 2.44 m high, crossbar far above a person's head). Correct human proportions relative to the goal and the pitch. Photorealistic, no text.
Vídeo · Kling
Real TV broadcast, slow motion: in the first second the blue-haired player's boot strikes the ball in mid-air with a clear contact, the ball flies toward the top corner of the real-size goal and into the net, the player falls and lands on the grass with his hands, the two defenders turn their heads. Camera pans smoothly following the action from the touchline. Natural physics, correct human scale, no extra players appearing, no text. Keep face, glasses and kit identical.

Ojo: este es justo el tipo de plano que Kling peor resuelve. En el montaje me quedé con el último medio segundo, cuando ya está cayendo.

Vista desde detrás de la red con el balón dentroPlano 2

Detrás de la portería

La cámara fija que va pegada a la red. El balón ya dentro: el golpe no se ve, se intuye.

Imagen
Real broadcast goal-camera photo: fixed camera on the ground BEHIND the goal, outside the net, 24mm lens, looking through the white net into the stadium from the THIRD reference. The pitch must be EXACTLY the same as the third reference: vivid deep green grass with the same wide light/dark mowing stripes, crisp white lines, same cool white LED floodlight colour (no warm or yellow tint, no dry patches). The goal frame is REAL SIZE: posts 7.32 m apart, crossbar 2.44 m high, far above the players' heads. The ball has just hit the back of the net close to camera, the goalkeeper in a plain lime-green kit lies on the grass, and the SAME young man from the FIRST reference (electric blue hair, gold glasses) in exactly the home kit from the SECOND reference runs away celebrating about 11 m from goal, life-size, correct proportions. Packed stands, dry night. Photorealistic, no text.
Vídeo · Kling
Fixed goal camera behind the net: the ball spins and drops down inside the net close to the lens, the net ripples naturally, the goalkeeper slowly gets up from the grass, and the blue-haired player runs away celebrating with arms out toward the corner. Static camera, natural physics, the goal stays real size, no extra people appearing. Realistic broadcast.
Primer plano del avatar gritando el golPlano 3

El grito, con teleobjetivo

400mm desde la banda: el fondo se convierte en luces desenfocadas y la cara manda.

Imagen
Real broadcast close-up, 400mm telephoto from the pitch-side camera: the SAME young man from the FIRST reference (electric blue hair, thin round gold glasses, small gold earring, same face) screams in goal celebration, fists clenched, sweat (no rain), wearing exactly the home shirt from the SECOND reference with its logos and crest. Background: the packed stadium from the THIRD reference heavily blurred, white floodlights bokeh. Dry night. Photorealistic, no text.
Vídeo · Kling
Telephoto broadcast close-up: he screams in celebration with clenched fists, then grabs the crest on his shirt with his right hand and shouts again toward the crowd. Slight handheld telephoto movement following him. Natural hands with five fingers, logos stay fixed and identical, no new logos. Keep face, glasses, earring and hair identical. Realistic.
El avatar con americana negra abierta sobre la camiseta, en la bandaPlano 4

El presentador, en la banda

Americana negra abierta sobre la camiseta, balón bajo el brazo. Es el plano en el que habla: va con Seedance y la frase grabada como audio de referencia.

Imagen
Real TV presenter shot, 50mm at eye level, framed from the knees up: the SAME young man from the FIRST reference (electric blue hair, thin round gold glasses, small gold earring) stands on the TOUCHLINE next to the pitch, open elegant black suit jacket over exactly the home shirt from the SECOND reference, navy football shorts, ball under one arm, other hand open toward camera, talking. Behind him, out of focus, the packed stadium from the THIRD reference and the green pitch at real distance. Normal human scale, dry night, floodlights. Photorealistic, no text.
Vídeo · Seedance · con la voz de referencia
TV presenter on the touchline of the packed stadium: the young man with blue hair and gold glasses, open black suit jacket over the striped football shirt, ball under his arm, speaks directly to camera in Spanish, lip-synced exactly to the reference audio, cheeky confident smile; on 'Sí, soy yo' he points at himself, on 'no he pisado un campo en mi vida' he shrugs. Natural hands. Keep face, glasses, hair and outfit identical. Use the reference audio voice exactly, say every word.
Vista desde la grada con aficionados en primer términoPlano 5

Desde la grada

«Mírame desde la grada.» El truco de escala: él tiene que salir pequeño, como saldría de verdad.

Imagen
Real photo from the upper stand of the stadium from the THIRD reference, 300mm telephoto over the backs of cheering fans in the foreground (blurred, arms raised): far below on the pitch, near the corner flag, the SAME young man from the FIRST reference (electric blue hair visible) in exactly the home kit from the SECOND reference celebrates with arms wide while two teammates run toward him. He is SMALL in the frame, true-to-life scale compared with the pitch, advertising boards and other players. Dry night. Photorealistic, no text.
Vídeo · Kling
From the upper stand: fans in the foreground jump and wave their arms; far below, the small blue-haired player celebrates near the corner flag and two teammates run in and hug him. Slight telephoto handheld movement. Everyone keeps true-to-life scale; no giant players. Realistic broadcast.
Vista aérea desde la cámara de cables sobre el áreaPlano 6

Desde el aire, con la cámara de cables

«Desde el aire» no es un dron cenital con clones: es la cámara colgada de cables que usan las retransmisiones, a 15 metros.

Imagen
Real broadcast SPIDERCAM shot, high aerial view: the camera hangs on cables about 15 metres above the pitch and looks DOWN at a steep 50-degree angle over the penalty area of the stadium from the THIRD reference (dry night, packed stands visible at the top edge). Below, the SAME young man from the FIRST reference (electric blue hair clearly visible from above) in exactly the home kit from the SECOND reference slides on his knees celebrating while three teammates in the same kit run to him. The penalty box lines, penalty spot and a REAL SIZE goal (7.32 x 2.44 m) are visible for scale; players are small and life-size relative to the pitch. Photorealistic, no text.
Vídeo · Kling
Spidercam aerial: the cable camera glides slowly forward and down toward the players while the blue-haired player slides on his knees and three teammates in the same kit reach him and jump on him. Smooth cable-cam motion, players keep life-size scale relative to the pitch and the real-size goal. Realistic broadcast.

Aviso: aquí hay contacto entre jugadores y en algún clip se atraviesan. Si lo repites, corta antes de que lleguen.

Vista desde el hombro del portero con el avatar en el punto de penaltiPlano 7

Desde el portero, pero a su altura

La primera versión era «desde los ojos del portero» y quedaba fatal. Mejor detrás de su hombro, a 1,8 m, con un 35mm.

Imagen
Real photo from just behind the goalkeeper at his shoulder height (about 1.8 m), 35mm lens: in the left foreground the back of the goalkeeper's head and shoulder in a plain lime-green jersey (realistic, in soft focus), and the left goalpost and crossbar of a REAL SIZE goal (crossbar 2.44 m high, well above the keeper's head). About 11 m away on the penalty spot, the SAME young man from the FIRST reference (electric blue hair, gold glasses) in exactly the home kit from the SECOND reference is about to strike the ball, life-size. Stadium from the THIRD reference, dry night. Photorealistic, correct proportions, no text.
Vídeo · Kling
From behind the goalkeeper's shoulder: the blue-haired player runs up and strikes the ball, the goalkeeper in the foreground dives to his right but the ball passes beside the post into the net. Camera stays at the keeper's shoulder height, slight shake on the dive. Natural body proportions, the goal stays real size, no extra players. Realistic.
Perfil del avatar con las gafas doradas brillandoPlano 8

«Mismas gafas»

Los planos de detalle refuerzan la identidad: gafas, pelo, pendiente. Son los más baratos y los que mejor salen.

Imagen
Real broadcast close-up in profile, 300mm telephoto: the SAME young man from the FIRST reference catching his breath, thin round GOLD glasses sharp in focus with a floodlight glint on the frame, sweat on his temple, electric blue hair, small gold earring, collar of exactly the home shirt from the SECOND reference. Background: packed stadium from the THIRD reference in creamy bokeh. Dry night. Photorealistic, no text.
Vídeo · Kling
Telephoto profile close-up: he breathes heavily, then slowly turns his head toward the camera; a floodlight glint slides across his gold glasses. Very slow push-in. Keep face, glasses, earring, hair identical. Realistic.
El avatar de espaldas pasándose la mano por el pelo azulPlano 9

«Mismo pelo azul»

Imagen
Real broadcast shot from behind at 3/4, 200mm telephoto, head and shoulders: the SAME young man from the FIRST reference runs his hand back through his sweaty ELECTRIC BLUE hair, small gold earring and the arm of his gold glasses visible, number 6 on the back of exactly the home shirt from the SECOND reference. Packed stadium from the THIRD reference blurred behind, white floodlights. Dry night. Photorealistic, no text.
Vídeo · Kling
From behind at 3/4: he runs his hand back through his electric blue hair in slow motion, then walks away toward the centre of the pitch, number 6 on his back stays sharp. Telephoto follows him. Natural hand. Realistic broadcast.
El avatar en blanco y negro sentado en el banquilloPlano 10

El giro, en blanco y negro

«Y aquí es donde la lía casi todo el mundo.» Cambio de tono: banquillo vacío, luz dura, grano.

Imagen
Black and white photo with heavy film grain: the SAME young man from the first reference (round glasses, light hair in B&W), sitting alone on the substitutes bench of an empty stadium at night, elbows on knees, looking straight into the camera, serious. Wearing the home shirt from the second reference (in monochrome). Hard side light, moody, documentary style, no text.
Vídeo · Kling
Black and white, documentary style: he stays seated on the bench with his elbows on his knees, breathes slowly and keeps looking straight into the lens, a slight frown. Static camera with a very slow push-in. Only one person, no one else appears. Heavy film grain.
El avatar caminando hacia cámara por el túnel de vestuariosPlano 11

El túnel: el cierre

Simétrico, con el césped iluminado al fondo. Aquí suelta la frase final, así que el vídeo va con Seedance y el audio de «Comenta GOL».

Imagen
Inside the players' TUNNEL of a stadium, concrete walls, cold white lights, the bright pitch glowing at the end behind him. The SAME young man from the first reference (electric blue hair, thin round gold glasses, gold earring) walks toward the camera looking straight into the lens, wearing an open elegant black suit jacket over exactly the home shirt from the second reference, navy football shorts, navy socks and boots, ball under his arm. Symmetrical, cinematic, ultra realistic, no text.
Vídeo · Seedance · con la voz de referencia
In the stadium tunnel, the young man with blue hair and gold glasses, open black suit jacket over the striped football shirt, ball under his arm, stops close to the camera and speaks directly into the lens in Spanish, lip-synced exactly to the reference audio, with a cheeky challenge in his eyes; on 'GOL' he raises his eyebrows and points at the camera. Keep face, glasses, hair and outfit identical. Use the reference audio voice exactly.
El avatar de espaldas en el vestuario con el número 6Plano 12

Vestuario, de espaldas

Imagen
Dressing room, seen from BEHIND: the SAME young man from the first reference (electric blue hair, gold glasses arms visible) sits on a wooden bench facing his locker, wearing exactly the home shirt from the second reference with a big number 6 on the back in gold-yellow club font, no name. Warm lights, other shirts hanging, steam, ultra realistic, no added text except the number.
Vídeo · Kling
Dressing room: the blue-haired player seated with his back to camera slowly turns his head over his shoulder and looks into the lens with a half smile, gold glasses catching the light, number 6 on his back stays sharp. Slow push-in, steam drifting. Realistic.
Por encima del hombro de un operador de cámara de televisiónPlano 13

«Describes la cámara»

El plano que explica la regla dos: se ve la propia cámara de televisión que lo está grabando.

Imagen
Real behind-the-scenes photo at the touchline: over the shoulder of a TV camera operator with a big broadcast camera and long lens on a tripod (operator's headset and shoulder in the foreground, realistic size), the camera's side monitor shows a sharp close-up of the blue-haired player. In the background on the pitch, life-size, the SAME young man from the FIRST reference (electric blue hair, gold glasses) in exactly the home kit from the SECOND reference looks toward the camera and points at it. Stadium from the THIRD reference, dry night. Photorealistic, no readable text.
Vídeo · Kling
Over the shoulder of the TV camera operator: the operator adjusts the zoom of the broadcast camera, the side monitor shows the player close-up, and in the background the blue-haired player walks toward the camera and points at it. Realistic proportions, no new text or logos. Realistic.
REGLA TRES

El último fotograma es el primero del siguiente.

Para que dos planos casen, exporta el último fotograma del clip anterior y úsalo como imagen de inicio del siguiente. El prompt solo tiene que decir «continúa desde aquí».

Vídeo · Kling · continuar un plano
Continue exactly from this frame: the blue-haired player lying on the grass after his bicycle kick jumps up, sprints toward the touchline camera celebrating with arms wide, and the camera pans with him as teammates in the same striped kit chase him. Same stadium, same lighting, life-size scale, natural physics, no new players appearing from nowhere. Realistic TV broadcast.

Ahora te toca a ti.

El método completo, desde la hoja de personaje hasta el montaje.